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<title>Iain Crichton Smith - Free Library Land Online - Biographies & Memoirs</title>
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<title>Consider the Lilies</title>
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<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/iain-crichton-smith/consider_the_lilies.jpg"><img src="https://picture.graycity.net/img/iain-crichton-smith/consider_the_lilies_preview.jpg" class="fr-fic fr-dib" title ="Consider the Lilies" alt ="Consider the Lilies"/></a><br//>]]></description>
<category><![CDATA[Iain Crichton Smith]]></category>
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<pubDate>Wed, 14 Sep 1977 14:10:51 +0300</pubDate>
</item><item>
<title>My Last Duchess</title>
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<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/iain-crichton-smith/my_last_duchess.jpg"><img src="https://picture.graycity.net/img/iain-crichton-smith/my_last_duchess_preview.jpg" class="fr-fic fr-dib" title ="My Last Duchess" alt ="My Last Duchess"/></a><br//>Iain Crichton Smith's third novel is as different from his second, The Last Summer, as that was from his first, Consider the Lillies. Crichton Smith is at the height of his powers as poet and prose writer. This new work of fiction follows hard upon his Selected Poems and his volume of short stories, Survival Without Fear. Mark Simmons, aged 42, is a teacher at a training college. His wife has just walked out on him because she has found him so much less interesting than she expected the man she married to be. This event, which he has by no means expected, has jolted him into a major reassessment of himself, of his place in the universe. He realises that he has become bitter, cynical and disillusioned: he is a failure intellectually &#8211; he wanted to be a writer, but for years he has striven at one book, which he privately knows to be not very good. He is a failure as a teacher &#8211; he wasn't competent enough to obtain a post at a university. He is a failure as a husband,...]]></description>
<category><![CDATA[Iain Crichton Smith]]></category>
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<pubDate>Thu, 17 Nov 2016 20:54:36 +0200</pubDate>
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<title>On the Island</title>
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<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/iain-crichton-smith/on_the_island.jpg"><img src="https://picture.graycity.net/img/iain-crichton-smith/on_the_island_preview.jpg" class="fr-fic fr-dib" title ="On the Island" alt ="On the Island"/></a><br//>For an eleven-year-old boy, living with his widowed mother and younger brother in a remote seaside village on one of the Western Isles of Scotland, growing up has its difficulties, as well as its idyllic pleasures. Iain Crichton Smith's vivid evocation is loosely based on memories of his own childhood on Lewis. There are so many discoveries to be made, along the shore and on the moor. Crossing a field under snow has its perils; exploring an empty cottage has its imaginative terrors; you might be humiliated by a village woman when your mother has sent you to a neighbour to borrow half-a-crown until her pension comes through: or playing along the shore with Pauline, a visitor from London with her wider knowledge of the world, you might find your own certainties called into question. There is poverty and richness; and eventually the war casts its shadows across your world. Iain Crichton Smith has brought to life a gallery of distinctly memorable figures: the sure-footed Blinder...]]></description>
<category><![CDATA[Iain Crichton Smith]]></category>
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<pubDate>Sun, 17 Nov 2002 20:54:36 +0200</pubDate>
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<title>The Last Summer</title>
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<link>https://biographies-memoirs.library.land/iain-crichton-smith/248751-the_last_summer.html</link>
<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/iain-crichton-smith/the_last_summer.jpg"><img src="https://picture.graycity.net/img/iain-crichton-smith/the_last_summer_preview.jpg" class="fr-fic fr-dib" title ="The Last Summer" alt ="The Last Summer"/></a><br//>A sensitively written and memorable novel of youth by one of Scotland's most distinguished twentieth century writers. Malcolm, studious, imaginative, footballing, shy, sexually aware but uncomfortably innocent, is in his last term at school on a Hebridean island during the Second World War. His awkward relationship with his teachers, his widowed mother and younger brother, his friends &#8211; and with Janet whom he loves from a distance and the less comely and warmer, but to him still enigmatic, Sheila, are marvellously realised. Above all, this is the story of a boy, on his own, trying to discover himself and through himself to find his way in life.]]></description>
<category><![CDATA[Iain Crichton Smith]]></category>
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<pubDate>Wed, 18 Nov 2015 06:35:11 +0200</pubDate>
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<title>Listen to the Voice</title>
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<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/iain-crichton-smith/listen_to_the_voice.jpg"><img src="https://picture.graycity.net/img/iain-crichton-smith/listen_to_the_voice_preview.jpg" class="fr-fic fr-dib" title ="Listen to the Voice" alt ="Listen to the Voice"/></a><br//>Introduced by Douglas Gifford. This collection of the best of Iain Crichton Smithâ€&#8482;s short fiction brings together not one but many voices, both public and private. Ranging from inner promptings towards self-discovery, through the unconscious comedy of everyday speech, to the rantings of near madness, these stories display the peaks of Smithâ€&#8482;s wry, surrealistic humour, and his confessional mode in re-telling the past. The longer stories, illustrative of Smithâ€&#8482;s novels, are represented by â€˜Murdoâ€&#8482; and the seminal â€˜The Black and the Redâ€&#8482;. There are also outstanding short pieces such as â€˜Listen to the Voiceâ€&#8482; and the poignant vignette, â€˜The Dyingâ€&#8482;. â€˜These sensitive stories focus on the ambiguities of the inner voice, whose promptings can lead to self-discovery or repression and madness. Each juxtaposes the minutiae of everyday life with moments of searing emotion.â€&#8482; Independent on Sunday â€˜He has a dry pungent...]]></description>
<category><![CDATA[Iain Crichton Smith]]></category>
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<pubDate>Tue, 17 Nov 2009 20:54:37 +0200</pubDate>
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<title>The Tenement</title>
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<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/iain-crichton-smith/the_tenement.jpg"><img src="https://picture.graycity.net/img/iain-crichton-smith/the_tenement_preview.jpg" class="fr-fic fr-dib" title ="The Tenement" alt ="The Tenement"/></a><br//>The tenement has its being, its almost independent being, in a small Scottish town. Built of grey granite, more than a century ago, it stands four-square in space and time, the one fixed point in the febrile lives of the transient human beings whom it shelters. At the time of which Iain Crichton Smith writes, there are married couples in three of the flat; two widows and a widower occupy the others. All of them are living anxious lives of quiet desperation, which Mr Smith anatomises with cool and delicate understanding. The Masons, Linda and John, are the youngest and perhaps the happiest house-hold, who can still look to the future with hope: he has quite a well-paid job in a freezer shop, she is expecting a child. Mr Cooper's role in life is humbler: he is a lavatory attendant, but can take an off pride in his work. The Camerons provide drama: the husbands, once a long distance lorry driver who was sacked for heavy drinking and now a casual labourer, is consumed with...]]></description>
<category><![CDATA[Iain Crichton Smith]]></category>
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<pubDate>Wed, 18 Nov 1998 06:35:11 +0200</pubDate>
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<title>In the Middle of the Wood</title>
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<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/iain-crichton-smith/in_the_middle_of_the_wood.jpg"><img src="https://picture.graycity.net/img/iain-crichton-smith/in_the_middle_of_the_wood_preview.jpg" class="fr-fic fr-dib" title ="In the Middle of the Wood" alt ="In the Middle of the Wood"/></a><br//>Ralph Simmons, a writer, struggles to survive a nervous breakdown that leaves him anxious, suspicious, and frightened. In the Middle of the Wood is considered by many to be Iain Crichton Smith's most remarkable achievement in prose. Like Waugh's The Ordeal of Gilbert Pinfold, it derives directly from a phase of paranoia, which in Crichton Smith's case actually led to a spell in a mental hospital.]]></description>
<category><![CDATA[Iain Crichton Smith]]></category>
<dc:creator></dc:creator>
<pubDate>Sun, 17 Nov 2013 20:54:37 +0200</pubDate>
</item><item>
<title>An End to Autumn</title>
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<link>https://biographies-memoirs.library.land/iain-crichton-smith/237591-an_end_to_autumn.html</link>
<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/iain-crichton-smith/an_end_to_autumn.jpg"><img src="https://picture.graycity.net/img/iain-crichton-smith/an_end_to_autumn_preview.jpg" class="fr-fic fr-dib" title ="An End to Autumn" alt ="An End to Autumn"/></a><br//>Tom and Vera Mallow, who are in only their early thirties, might indeed be said to be in the autumn of their lives already, they are school teachers, both of them, but without any strong feeling for children, and without nay children of their own. Their outlook is wary; they hold themselves apart. When they invite Tom's mother to share their home, they do so from a sense of duty rather than love. But after autumn, we find, comes summer; and it is the mothers &#8211; Tom's and, later Vera's &#8211; who in surprising ways reverse the march of the seasons: Mrs Mallow as irritant, with her incongruous friendship with Mrs Murphy, a Catholic and of a lower social class; and then Angela, the vivacious ex-actress, from the a different world, to provide catharsis. Here is a sympathetic and unusual study of a marriage that, surprisingly and against the odds, takes the right turning; though lest anyone should feel that Crichton Smith is succumbing to sentiment, the novel's last page...]]></description>
<category><![CDATA[Iain Crichton Smith]]></category>
<dc:creator></dc:creator>
<pubDate>Mon, 17 Nov 2003 15:43:35 +0200</pubDate>
</item><item>
<title>Goodbye, Mr Dixon</title>
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<link>https://biographies-memoirs.library.land/iain-crichton-smith/241377-goodbye_mr_dixon.html</link>
<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/iain-crichton-smith/goodbye_mr_dixon.jpg"><img src="https://picture.graycity.net/img/iain-crichton-smith/goodbye_mr_dixon_preview.jpg" class="fr-fic fr-dib" title ="Goodbye, Mr Dixon" alt ="Goodbye, Mr Dixon"/></a><br//>The titular Mr Dixon is not the novel's main character but the creation of the novel's main character, Tom Spence. Spence describes himself as &#147;an embryo novelist"; he has had the odd job &#8211; for example, delivering mail &#8211; but is largely without skills and has bet all on his career as a writer. Unfortunately he has &#147;never brought a novel to a successful conclusion" never mind had one published, and, unable to live the dream, has instead dreamed it through his protagonist, Drew Dixon. His novel has ground to a halt because he has decided Dixon will &#147;meet a girl of twenty-five or thereabouts whose entry into his world was to change his life" but has no idea how to write it. Fortuitously he meets a young woman, Ann, and, as their relationship develops we begin to sense that it will be Spence's life that is changed rather than Dixon's. As Spence's isolation ends he revisits his past, attempting to contact the mother he hasn't seen in years and returning to...]]></description>
<category><![CDATA[Iain Crichton Smith]]></category>
<dc:creator></dc:creator>
<pubDate>Mon, 17 Nov 1997 17:48:11 +0200</pubDate>
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<title>An Honourable Death</title>
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<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/iain-crichton-smith/an_honourable_death.jpg"><img src="https://picture.graycity.net/img/iain-crichton-smith/an_honourable_death_preview.jpg" class="fr-fic fr-dib" title ="An Honourable Death" alt ="An Honourable Death"/></a><br//>'Iain Crichton Smith writes like a poet, with strong natural rhythm and precise observation' &#8211; The Times In the summer of 1870, a seventeen-year-old crofter's son turned his back on his apprenticeship with the Royal Clan and Tartan Warehouse in Inverness and signed up as a private in Queen Victoria's army. He joined the Gordons &#8211; the 92nd Highlanders &#8211; whose reputation was second to none as the fearsome cutting-edge of the British Army. Posted to India, Afghanistan, South Africa and the Sudan, he became a formidable soldier, rising up through the ranks to become the glorified and much-decorated Major-General Sir Hector Macdonald or, more commonly, 'Fighting Mac', the true hero of Omdurman. Then, in 1903, at the peak of his remarkable career, he was accused of homosexuality. Ordered to face court martial and unable to bear the disgrace, he ended his life. From this true story, with a poet's insight and precision, Iain Crichton Smith has crafted an exquisite...]]></description>
<category><![CDATA[Iain Crichton Smith]]></category>
<dc:creator></dc:creator>
<pubDate>Tue, 17 Nov 2015 15:43:34 +0200</pubDate>
</item><item>
<title>The Red Door</title>
<guid isPermaLink="true">https://biographies-memoirs.library.land/iain-crichton-smith/248749-the_red_door.html</guid>
<link>https://biographies-memoirs.library.land/iain-crichton-smith/248749-the_red_door.html</link>
<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/iain-crichton-smith/the_red_door.jpg"><img src="https://picture.graycity.net/img/iain-crichton-smith/the_red_door_preview.jpg" class="fr-fic fr-dib" title ="The Red Door" alt ="The Red Door"/></a><br//>When the breathing got worse he went into the adjacent room and got the copy of Dante. All that night and the night before he had been watching the dying...When a mirror was required to be brought she looked at it, moving her head restlessly this way and that. He knew that the swelling was a portent of some kind, a message from the outer darkness, an omen. - The Dying ALTHOUGH BEST KNOWN as one of Scotland's greatest modern poets, Iain Crichton Smith was also prolific as a writer of short stories. These pieces form a central part of his oeuvre, demonstrating the full range and versatility of his literary talent. From humour to tragedy, from inner monologues to extrovert surrealism, the diversity of his writing indicates the extraordinary range of his own reading and mental world. Crichton Smith wrote short stories throughout his life. Some are fragments, others almost novellas, and the best of them all show him to be an author of unique sensitivity and intelligence. These two...]]></description>
<category><![CDATA[Iain Crichton Smith]]></category>
<dc:creator></dc:creator>
<pubDate>Mon, 18 Nov 1991 06:35:10 +0200</pubDate>
</item><item>
<title>The Black Halo</title>
<guid isPermaLink="true">https://biographies-memoirs.library.land/iain-crichton-smith/248750-the_black_halo.html</guid>
<link>https://biographies-memoirs.library.land/iain-crichton-smith/248750-the_black_halo.html</link>
<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/iain-crichton-smith/the_black_halo.jpg"><img src="https://picture.graycity.net/img/iain-crichton-smith/the_black_halo_preview.jpg" class="fr-fic fr-dib" title ="The Black Halo" alt ="The Black Halo"/></a><br//>The house was extraordinarily peaceful as if by an act of will I had banished all the fertile ghosts. It had an unearthly calm as if I were floating on a dumb sea of solitude. I found myself humming to myself as if I had come to the silence of myself. I went to the bookcase and took out a book and began to read. Strangely enough I didn't realise at first what book it was. Then I saw that it was the Bible. I turned to the New Testament and began to read, 'In the beginning was the Word...' - The Hermit ALTHOUGH BEST KNOWN as one of Scotland's greatest modern poets, Iain Crichton Smith was also prolific as a writer of short stories. These pieces form a central part of his oeuvre, demonstrating the full range and versatility of his literary talent. From humour to tragedy, from inner monologues to extrovert surrealism, the diversity of his writing indicates the extraordinary range of his own reading and mental world. Crichton Smith wrote short stories throughout his life. Some are...]]></description>
<category><![CDATA[Iain Crichton Smith]]></category>
<dc:creator></dc:creator>
<pubDate>Tue, 18 Nov 1997 06:35:10 +0200</pubDate>
</item><item>
<title>A Field Full of Folk</title>
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<link>https://biographies-memoirs.library.land/iain-crichton-smith/237590-a_field_full_of_folk.html</link>
<description><![CDATA[<a class="highslide" href="https://picture.graycity.net/img/iain-crichton-smith/a_field_full_of_folk.jpg"><img src="https://picture.graycity.net/img/iain-crichton-smith/a_field_full_of_folk_preview.jpg" class="fr-fic fr-dib" title ="A Field Full of Folk" alt ="A Field Full of Folk"/></a><br//>The world, in Iain Crichton Smith's vision is a field full of folk; and one Scottish village is its microcosm. Here, the Minister wrestles with his loss of faith, and his cancer, concealing them even from his wife, but she had divined them. Mrs Berry cultivates her garden assiduously, and when Jehovah's Witnesses come quoting their texts, she tells them that the hill at the end of the village can be climbed by many paths. Old Annie has no doubts about her path: she has no use for Christianity ('Protestants and Catholics, nothing but guns and fighting') and finds her answer in the East. On more mundane levels, Morag Bheag worries about her son serving in Northern Ireland, and Chrissie Murray shocks the village by leaving her husband and making for Glasgow &#8211; taking only a radio with her, that's what shocks most. Murdo Macfarlane vehemently urges his puritanical views &#8211; about, for instance, the use of the church hall for a young people's dance &#8211; and David Collins...]]></description>
<category><![CDATA[Iain Crichton Smith]]></category>
<dc:creator></dc:creator>
<pubDate>Thu, 17 Nov 1994 15:43:34 +0200</pubDate>
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