Somewhere in Philadelphia, a master engraver is turning out brilliant forgeries of U.S. currency plates for an organized crime gang - and the government wants to put a stop to it. But how can they get close enough to bring down the criminal enterprise from the inside?  By snatching a west coast crime boss' right-hand man and sending a federal agent undercover in the man's place. His assignment: pose as a buyer of counterfeit bills and try to get the engraver out. Which works fine - until he crosses paths with someone who knows the man he replaced...  A lost masterpiece from science fiction Grandmaster Robert Silverberg, published as a complete novel for the very first time!

In the far future, Earth is a worn-out backwater and humanity is spread across the galaxy on worlds that began as colonies, but now feel like home, each with its own long history of a thousand years or more, and each with its own unique culture. One of the strangest is on Borthan, where the founding settlers established the Covenant, which teaches that the self is to be despised, and forbids anyone to reveal his innermost thoughts or feelings to another. On Borthan, the filthiest obscenities imaginable are the words "I" and "me." For the heinous crime of "self-baring," apostates have always paid with exile or death, but after his eyes are opened by a visitor from Earth, Kinnall Darival, prince of Salla, risks everything to teach his people the real meaning of being human..

THIS WAY TO THE END TIMES: Classic Tales of the Apocalypse, gathers 21 compelling, gripping stories of the not-too-distant demise of the earth as we know it. And what a collection. From little-known, brilliant tales by sci-fi legends Jules Vernes and Olaf Stapledon, to intense short works by sci-fi masters Ursula K. Le Guin, Connie Willis, Jack Vance, and Brian W. Aldiss, to haunting works by contemporary authors Dale Bailey, Alvaro Zinos-Amaro, Karen Haber and Megan Arkenberg, THIS WAY TO THE END TIMES paves the road to the fantastical future, alternating humor with grit, and hope with ghastly post apocalyptic visions. Guest editor Robert Silverberg—winner of numerous Hugo and Nebula awards, Grand Master of Science Fiction Writers of America, and a Science Fiction Hall of Fame inductee—hand-picked each story, and offers an introduction to each, as well as an introduction to the anthology as a whole. A unique collection for longtime and new fans of speculative fiction, THIS WAY TO THE END TIMES roars into the future wide-eyed and full speed ahead. Complete list of authors: Jules Verne, James Elroy Flecker, Frank Lillie Pollock, G. Peyton Wertenbaker, Philip Latham, Jack Vance, Fritz Leiber, Brian W. Aldiss, Ursula K. Le Guin, Robert Silverberg, James Tiptree, Jr., Malcolm Edwards, Connie Willis, Karen Haber, by Dale Bailey, Megan Artenberg, Alvaro Zinos-Amaro, Olaf Stapledon

Here are three short novels from three masters of science fiction--all set in the universe of one of Silverberg's most successful novels, Gate of Worlds. Imagine an alternate Earth where the Black Plague killed not 30 percent of Europe's population, but 80 percent, leaving it prey to the incursions of the Moslems; and where the New World was spared the ravages of the Europeans.

When Dick Muller, repulsive to the entire human race after an encounter with an alien race leaves him terribly altered, arrives on the abandoned planet of Lemnos, he learns that Earth is in danger, forcing him to make a difficult decision--save the planet that scorned him or watch Earth be destroyed. Reprint.

Earthman Roy Crawford is framed for murder on the planet Velliran. He has two choices. He must escape from the planet within three days or go to prison for life. But the only spaceship leaving the planet within three days belongs to the Exploration Corps. This is a group of scientists which investigates new planets. They are about to leave for World Seven on the Star System Z-16. With help from his friends, the dazed Crawford finds himself in the ship. The scientists, of course, think he is one of them. But World Seven is no escape for Roy. It is a planet of death. The team of scientists find themselves in a world where even the trees are killers. And one more killer is on the spaceship -- the real murderer who framed Crawford!

Amanda always expected that when she fell in love, it would be with a musician or an artist--at the very least a human. Then she meets an alien on the run from the FBI and shelters him. [This short story was made into a movie in 1995 starring Baywatch beauty Nicole Eggert and featuring Michael Dorn and Stacey Keach.]

Dr. Barnes grasped the microphone so tightly his knuckles whitened..."London, this is New York...It's hundreds of years since the last contact between London and New York!" "I hear you, New York. Have you been to the surface yet?" "Not yet. But we're going to go! We hope to visit you, London! To cross the Atlantic!" For centuries, men had lived miles beneath the ground in order to survive the great Ice Block that had submerged the earth. In an attempt to resume human contact, Jim Barnes, his father and several other daring men emerge from a subterranean New York to cross the frozen Atlantic. Coping bravely with problems of food and shelter, the fury of snowstorm and the attacks of wild beasts, and the strange, savage men who roam the Earth's ice crust, they finally reach London, only to find an angry and distrustful mob. Jim's pivotal role in establishing trust and unity is revealed in a suspenseful and thrilling climax.

David Selig was born with an awesome power -- the ability to look deep into the human heart, to probe the darkest truths hidden in the secret recesses of the soul. With reckless abandon, he used his talent in the pursuit of pleasure. Then, one day, his power began to die... Universally acclaimed as Robert Silverberg's masterwork, Dying Inside is a vivid, harrowing portrait of a man who squandered a remarkable gift, of a superman who had to learn what it was to be human.

In the course of his extraordinary-and prolific-career, Robert Silverberg has made an enormous contribution to imaginative literature. In The Last Song of Orpheus, his longest story in more than a decade, Silverberg has given us one of his most remarkable accomplishments, a resonant recreation of one of the central myths of western civilization. In this mesmerizing narrative, Orpheus-wanderer, demigod, and master musician-recounts his own astonishing story. That story ranges from the depths of the Underworld, where he attempts to rescue his beloved but doomed Eurydice, to the farthest, most dangerous corners of the ancient world, where he journeys in search of the legendary Golden Fleece. It is a tale of men and gods, of miraculous encounters, of the binding power of inescapable Fate. More than that, it is a meditation on the power of the creative spirit, and on the eternal human search for balance and harmony in a chaotic universe. Beautifully constructed and masterfully written, The Last Song of Orpheus is Silverberg at his incomparable best, showing us a deeply familiar series of scenes, themes, and characters from a fresh, wholly original perspective.

The stories collected here, written between August of 1987 and May of 1990, demonstrate that I still believe in the classical unities. Of course, what seems to us a unity now might not have appeared that way when H.G. Wells was writing his wonderful stories in the nineteenth century. Wells might have argued that my 'To the Promised Land' is built around two speculative fantastic assumptions, one that the Biblical Exodus from Egypt never happened, the other that it is possible to send rocketships to other worlds. But in fact we've sent plenty of rocketships to other worlds by now, so only my story's alternative-world speculation remains fantasy today. Technically speaking the space-travel element of the plot has become part of the given; it's the other big assumption that forms the central matter of the story. --Robert Silverberg, from his Introduction Table of Contents Introduction The Dead Man's Eyes Enter A Soldier. Later: Enter Another To The Promised Land Chip Runner A Sleep And A Forgetting In Another Country The Asenion Solution We Are For The Dark Lion Time in Timbuctoo A Tip On A Turtle

But, for all that, I went on writing short fiction all through the seventh and eighth decades of my life, and though I’m not very active these days, I would still pay attention if someone were to approach me with an interesting and challenging short-story project, or if some absolutely irresistible story idea were to come into my mind. I will not, at this point, try to claim that the stories that are collected here are the last short stories I will ever write. Surely some editor, in the years ahead, will tickle my imagination with a proposal I can’t resist. But I doubt that will be happening very often; and, meanwhile, here’s the harvest of the fourteen years that began in 1995—not an enormous number of stories, no, but stories nevertheless that I think are worth reading and reprinting. —Robert Silverberg, from his Introduction

THE IRON CHANCELLOR was Robert Silverberg’s second contribution to GALAXY (his first a year earlier in 1956 was BLAZE OF GLORY); he was 22 when it appeared and it shows a remarkably developed talent. Silverberg in his memoirs remembers how Horace Gold, the editor of GALAXY magazine, was simultaneously entranced by Silverberg’s precocity and angered by what he felt was the young writer’s eagerness to settle for production, stylistic facility and prolific output. Like all of the editors with whom Silverberg dealt in his early career, Gold alternated between impatience and admiration but he did find THE IRON CHANCELLOR a strong story and he was glad to have it at a time when so many of his regular contributors, impatient with the field and with Horace, were moving on or moving out. In this story of a controlling machine assuming a totalitarian control, the influences on Silverberg can be clearly noted--Henry Kuttner’s Gallegher stories, Robert Sheckley’s rampant and perverse technology in the AAA Ace Series (also published in GALAXY). Silverberg’s own voice has emerged and he handles his rather large cast without stereotype, with clear definition and with a good deal of control. Silverberg became an increasingly dominant GALAXY contributor in the following decade and then, in the early 1970’s when the editorship had passed to Ejler Jakobsson’s and a new publisher, three of Silverberg’s novels were serialized in consecutive issues of the magazine, "The amazing fulfillment of a childhood fantasy" Silverberg wrote.

Mass market paperback by Dell/Laurel Leaf, 1974. Edited by Robert Silverberg with introduction. Three sci-fi novellas: 'And Us, Too, I Guess' by George Effinger; 'Chains of the Sea' by Gardner R. Dozois; 'The Shrine of Sebastian' by Gordon Eklund.